Pen S mini—專訪SUCRÉ BEANS Coffee Roaster主理人 Sean / 董祥

設計烘豆的曲線,打造令人流連忘返的咖啡遊戲室

SUCRÉ BEANS Coffee Roaster

在大安區寧靜住宅巷弄間,Sean 流暢的沖煮咖啡,站在諾大玻璃窗內,不到10坪雅緻的SUCRÉ BEANS和主理人Sean相同,簡單幹練,同時充滿細節。

Sean 董祥, SUCRÉ BEANS Coffee Roaster主理人/ 設計師 / 文具品牌創辦人,兼具多種身份的Sean 笑稱自己容易分心在不同事物上,但在每個角色中,不難發現Sean對每個細節的堅持。

SUCRÉ BEANS,不單單是一間咖啡烘培工作室,也是Sean作為CI設計師的作品之一。將品牌經營和 CI設計同步融入了SUCRÉ BEANS中,除了平常的設計工作,進入了SUCRÉ BEANS更要設計烘豆曲線。正因如此我們能在SUCRÉ BEANS中不停地探究,不停的擴散形成了屬於SUCRÉ BEANS獨具一格的生態系統。

Q:怎樣的過程決定要成立SUCRÉ BEANS COffee Roaster 這個品牌呢?


A:其實一切都是順其自然有機形成的。
剛開始我只是喝咖啡,這個習慣一喝就就喝了35年,平常客戶朋友來就 習慣沖咖啡喝。咖啡就是一種潤滑劑。
原本沒有想要烘培咖啡豆,覺得那不是我會碰觸到的環節,但是朋友的介紹( Sean 笑說每個階段分支出去都是一個故事 )第一次烘培豆子,沒想到就著迷了。最開始是借用別人的烘豆的場地,並沒有特別拜師學習,都是用嚐百草的方式,好喝不好喝都得自己喝完(笑)。沒想到烘一烘,培養出了一群喜歡的客戶,就這樣形成了一群愛好者。人數越來越多之後,決定要購入一台烘豆機,就這樣開始了SUCRÉ BEANS Coffee Roaster的經營。

Q:把SUCRÉ BEANS Roaster稱作咖啡的遊戲間,這個名字很有趣,有什麼特殊含義呢?

A:現在喝咖啡已經不是我們既定的(焦苦)印象,種植/農園管理/採摘/製作/烘培/萃取每個環節已經跟過去大不相同,我們能得到的風味已經不單只是焦苦風味的咖啡,這個過程有很多的實驗,我寧願把它稱之為遊戲。

Q:聽說Sean上午的時候會在工作室裡做平面下午就會來到這裡沖咖啡

是什麼樣的契機同時讓你兼具平面設計師和咖啡品牌主理人這兩個角色呢?

A:我本來是在做CI ,一開始在學校擔任美工科的老師,退休後有一些常態的客戶會讓我幫忙做CI,順理成章的開始自己的設計公司 – 好極了廣告設計有限公司(bravo design)。

還沒有成立了SUCRÉ BEANS時,沖煮咖啡其實是為了我與內人每天的飲用需求,開始烘豆之後,沖煮咖啡很多時候是為了品測烘豆的成果,並成為下次烘焙的參考,無意間有人詢問有沒有在做販售,形成了『出杯』這件事。

SUCRÉ BEANS成立後,我就將自己家的車位改建,把空放的空間用玻璃圍起來,咖啡吧台從室內往外移出,這樣開始固定一個禮拜開幾天店,早上的時候就留給設計業務,所以SUCRÉ BEANS都是中午的時候開始營業。

Q:兼具設計師與咖啡主理人兩個角色時,工作模式上會有怎麼樣的不同呢?

A:工作模式上,我並沒有刻意的去追求一定的模式。

對我來講在烘培咖啡所產生的烘豆曲線其實跟CI設計很像,都是用無限次的練習過程鍛鍊做到最好。在經營SUCRÉ BEANS時,也把它當作是CI設計的一部分,我是我自己的客戶也是廠商,藉由SUCRÉ BEANS這個實際成功的例子告訴我的客戶可行性在哪裡。

設計的訓練同時也會影響烘豆流程這件事,設計的架構上是由小的結構規劃開始發散,不同階段的規模後最後再到實體,烘豆也是這樣,先把最基本的烘豆曲線寫進來,然後再擴展出如何在曲線裡面微調細節。

有些人是專心一志的做一件事,但我沒有這麼專心,我更容易分心在整個大系統下的事情,延伸出來卻也都是始料未及的際遇。後來我也將不同的學習歷程,應用在不同的模式上像是烘豆,經營SUCRÉ BEANS又或者是設計

Q:很多人在工作中或者生活上都會有自己的必備工具,無論是做為一個設計師或者咖啡師的你在工作中有哪些必備的物件(單品)呢?

A:筆。

所有設計師對筆的要求都很高,我個人從學習到工作階段嘗試的筆不計其數,後來只要是習慣的筆,基本上都會長期使用。

Q:文具對你有什麼樣的意義?

A:在你激盪創意天馬行空的時候,可以即時保留靈光乍現的一刻

Q:Sean 對書寫烘豆手稿而非使用電腦筆記的原因是?書寫對於你來說的感受是?

A:還是那一句話“沒有電的時候還能繼續工作,才是真的有生產力。”

在一些設計的場合,即便沒失去電力無法以電腦工作,還是可以拿出紙筆尺規等傳統工具繼續完成作業,我認為那樣才是有生產力的。書寫的時候可以看出生活的痕跡,連情緒都可以藉由書寫的字體觀察出來,只有書寫能辦的到。

Q:使用pens mini後有什麼感想呢?

A:Pens mini 容易收折輕便和兩用的觸控筆頭對我來說很重要。

我在意的是符合這個空間(SUCRÉ BEANS)的使用需求。,主要是我的烘豆設備有“觸控面板”,但在烘培的過程中不方便用手指去觸控,另外我又很需要寫下我的烘豆筆記,兩用的方式對我來說搭配的很好,滿足了我的需求。

受訪/ SUCRÉ BEANS Coffee Roaster – Sean 董祥

採訪/ Antou – Yen Chen

攝影/ Antou – Yu Xuan Li

編輯/ Antou – Hsin Hsiu Tsai

SUCRÉ BEANS Coffee Roasters

地址 : 新生南路一段165巷26號, Taipei, Taiwan

Instagram : @sucrebeanscoffeeroasters

Facebook : SUCRÉ BEANS

book NOTA refill print guide

Blank refill sheets are genuinely suitable for writing and sketching purposes and flexible when printing down unique layout designs from our online templates. Follow the instructions to set up your printers and print right out from the NOTA refill sheets. Customized your notebook layout and never bounded with fixed design per notebook. No more trimming of paper is ever needed, fast and Easy!



Kindly note that due to various brands/models of printers. The instructions are general guild to follow through. However, individuals will have to play around with the setting for the best printing result. 

Step 1:Place blank NOTA refile sheet in to a printer.

Step2:Re-adjust the printer paper guild to fir the page.

Step3:Set up the printer accordingly to the guild from PC / Mac.

Step4:Download and print your desired notebook layouts from the free online templates. 

Step5:Hit “print” and all done. Please double-check on the setting when printing again, as the setup may set back to its original default. 

Friendly notice:

Due to the mass differences between printers and computers. Therefore, one may have to play and experiment around with the settings.

NOTA A6 Adaptor

NOTA A6 整紙夾

我們在乎產品的品質及使用的感受,透過嘖嘖募資、kickstarter與來自台灣並遠自世界各地的筆記本愛好者相互交流,我們網羅、整理並收斂設計出了A6整紙夾(A6 Adaptor)。希望透過不停地更進設計與妥善產品,讓NOTA在用戶們的生活裡使用更加便利多變,承續book NOTA的設計初衷——一本能陪伴你很久很久的筆記本,讓NOTA成為紀錄生活不可或缺的夥伴直到永久。

什麼是A6 整紙夾?

A6整紙夾是由兩條彈性繩及一片模組固定皮件組合成的NOTA配件,和其他配件們一樣模組化設計可以套用在磁吸書夾上。

一個A6整紙夾共可放入兩疊紙張約30-40張(一條彈性繩能夠放置15-20張紙)共60-80頁。

使用A5的紙張對折(A6)無需另外打孔即可放入,讓紙張使用多了一種新選擇,小抄筆記可以隨手收存。

簡單3步驟安裝A6整紙夾:

事前準備:

因為再生皮本身具有彈性,先將皮革反覆按壓,讓對折處產生壓痕使其安裝入書夾會更加輕鬆。

Step1:

將兩條彈性繩套入整紙夾,固定於整紙夾中間處之後對折壓緊,金屬夾包覆於再生皮之中。

從一端順著摺邊壓緊再生皮革,將整紙夾對齊壓平。

Step2:

將塑形完成的整紙夾放入磁性書夾中:將有U型溝槽的一端捏住塞入書夾。

再順著書夾的縫隙將整紙夾慢慢放入。

放入後可以稍微調整一下整紙夾的位置,將其邊緣對齊磁性書夾邊緣。

最後再套入彈性矽膠圈。

Step3:

將手邊A5的紙張收整對折後(A6)整疊放入彈性繩當中。

紙張斜向穿入彈性繩中,利用紙張厚度撐開彈性繩。紙張穿入擺正後再由另一端拉出,以確保紙張不會在過程中被凹折。

一個整紙夾總共能放入兩疊紙張,一疊紙張約15-20張(30-40頁)依據使用的紙材磅數而定!放入A6整紙夾的紙張,適合日常翻頁書寫。

NOTA紙張 V.S A6整紙夾

NOTA紙張搭配磁性書夾:

  • 穩固套牢書夾不晃動,整體視覺俐落乾淨
  • 彈性膠圈活頁設計,抽取紙張方便快速2秒抽拉攤平使用
  • 未來將提供更多顏色、紙材選擇補充包
  • 適合繪圖、大範圍書寫用戶

A6整紙夾:

  • 適合翻頁平整書寫
  • 紙張的取得更加彈性多元且方便(市售A4對半裁切即可放入)無論是回收紙、傳真影印廢紙甚至隨手抄寫的小抄都能輕鬆放入
  • 適合日常隨手筆記書寫

NOTA的兩種使用模式各有優點,依照個人使用情境與需求去做彈性調配,自由選擇使用NOTA紙張或是A6 整紙夾,Daily用戶也可以兩種使用模式搭配運用(如上圖)!我們期待這樣多元的使用選擇,讓筆記本的用途與用戶使用體驗都能一一被照顧到。

NOTA. Slot puncher manual

Customize your notebook with simply two punches.

Be bold and mix it up with colours! Let’s categorized the notebook arrangement with different texture and vibe. Use the NOTA slot puncher to personalize some unique design and paper arrangement into your notebook.

Four step instructions of how to use the NOTA slot puncher :

Step 1: Push to open the safety lock underneath the puncher.


Step 2: Cut the preferred paper into 16*23 cm

Step 3: Fold it in half, firm and tight.

Step 4: Place the puncher onto the folded corner and refer to the cut-out mark for the accurate position. Repeat the process again on the other end.


There you have it, all set! You may further print out different notebook designs from our online free templates.

Use higher gsm paper for making single page or labels.

Recommending 80 – 120 gsm for double side / 180 – 240 gsm for a single side.

Pen C mini—Content creator : Marco-Tsai

 

From creative director at an advertising agency to magazine art editor, and now as a design brands’ director. Marco Tsai has well utilized and applied his profound sense of styling into every bit of his daily routine and slowly infuses into his reader and followers’ life. 

 

 

Whether it’s the commercial projects, branding strategies, lifestyle presenting or even his Instagram account, Marco has always kept his vivid identity and the eye of an artist. These are not innate talents but from years of training in the creative industry. 

Apart from his role as a design director, Marco is also interested in photography, collectables of men’s accessories, and he has his point of view towards men wear and styling. From this interview, we would like to find out how Marco projects his full range of interest on to his work and his style.

 

 

Q: From advertising agency to branding company and one of the most iconic boutique stationery shop in Taiwan. They differ from business structure and strategy, but one thing in common – You’ve always worked as a designer. Were there any significant influences on you as a designer during these business transformations? Or were there any things in common among these jobs?

A: During my early years of working as an art editor, I was mainly dealing with a tremendous amount of graphic and wiring tasks, and I think this has become my foundation as a graphic designer. Speaking of so -I think all graphic designer should try a job as an art editor if one has the chance. It could help and train the logic of handling complex content from various perspectives. It will elevate the abilities to deliver appropriate copywriting, and visual design through the vast amount of the given practice from work.

On the other hand, – Branding requires a focus and consistency concept image. A brand can self sustain without any advertisement as long as it has the right products and a clear branding image. Some brands spend tons of money annually on advertising, whereas some spend almost little to none and still attracts people or press. The key is to build up a unique and robust brand content that differentiates one with others.  

 

 

However, advertising is only one of the factor when it comes to branding. After I started my brand, merchandise, and store, I realized that there are many things in detail that I’ve never encountered, such as promoting sales, dealing with customer and managing stocks. As I’ve started doing these myself, I get to obtain some key insights. It helped me with better understanding and relate to my client’s need when I’m designing their webpage, advertisement strategy, and brand. I would always suggest and aim for a marathon instead of a short term boost when it comes down to brand managing. A good advertisement is not necessarily to be the one that sold out all the products in the short run, but the one that directs the brand to its’ correct audience so that the brand can go deep and far.

 

 

Q: Among all the possible options for building up a unique lifestyle brand – Why a stationery shop?

A: We’ve always started from self-interest or the passionate love for some objects. Take stationery store – TOOLS to LIVEBY and tearoom – Liquide Ambré are the examples of my wife – Karens’ interests. The club – Staff Only Club originated from the passion of my business partner. 

As a designer, I’m solely interested in branding and graphic design, and I would devote myself in building up the business no matter what kind, as long as my partners trust me and give me the space to express my creativity. I’ve designed some of the packaging and products for the stationery store, and many other collaborating clients’ logo and packaging as well. 

 

 

Q: What do you have on your workspace desktop? What is the most frequently used tool?

A: My graphic drawing tablets, sketchbook, and my pens for drawing. They are needle-tip pen, rollerball pen, and my most frequently used pen are needle tip marker from SAKURA Pigma MICRON. They come with various tip width, and I am writing the widest one. They are not expensive and performs exceptionally well. 

 

 

Q: Besides fashion and styling, photography is one of your interest. Would you dress up in a typical style only to match the theme you plan to shoot? What are the things you shoot most frequently?

A: Sure, I would dress up accordingly to the place we’re visiting and the theme we plan to shoot. I knew we have an interview. Therefore, besides dressing up, I’ve also displayed my studio for your photography team; they are all part of the curation. 

Speak of photo shooting. I’ve been obsessed with it since I was still a student. Back then, I mainly shoot models that I made. Like it, for now, they are mostly images for our branding, lifestyle and our products. I handled most of the branding image for TOOLS to LIVEBY and Liquide Ambré. If we went on for travelling, I’m usually the one who takes care of photo-shooting for everyone. To me, photography has become a channel for me to express my creativity. 

 

 

Q: Tell us about your collections, and what are the things that you usually carried with you in your bag?

A: I have an array of collections of vintage clothing, watches, glasses, cameras, magazines, and I’m also interested in some of the sculptures and furniture from the 50s and 60s. These are not only collections but also things I would use. I drive in vintage cars, the glasses I have here were found during my travels in France, the U.K, Japan, and the U.S. Sometime I’ll have to restore them before they can be worn, like this watch. 

 

 

Q: Due to your professional practice and business at TOOLS to LIVEBY, we believe you’ve had the chance to try out different pens. After using PenC mini for the awhile, what are your thoughts?

A: Usually pens are made in plastic or wood. However, PenC mini has a metal, sandblasted texture to it, and It is not commonly seen in pens. Size-wise, I would prefer the PenC classic, mini is more suitable for daily carry. 

 

 

Q: What kind of refill will you use with PenC mini

A: I would have a rollerball type of refill. It’s has a plentiful of ink, and it’s easier to control when drawing.

 

Q: If using PenC mini as one of your inspiration for clothing style, what will you recommend? 

A: I think people like architects will like this pen. Design-wise, it feels highly engineered, and people with logical or structural thinking will love this pen.

 

 

 

 

 

GUEST  / Marco Tsai

cofounder of –

stationery store – TOOLS to LIVEBY

tearoom – Liquide Ambré

club – Staff Only Club

 

instagram

HOST / Ya-Wen Chou

EDITING  / Yen-Tzu Liu

PHOTOGRAPHY  / Yun Cheng

 

Add to cart